We start with a tribute (of sorts) to Lee Andrews and the Hearts (pictured), then preview Louis Barabbas’ new album Gentle Songs of Ceaseless Horror, before moving on to our theme, taken from Robert Frost’s insistence on the need for literature to be “drama”, with support from Wendell Berry, Randy Newman, William McGonagall and Taj Mahal. It all leads into our (brief) look at Walt Whitman this week, supported by the Beatles, and the whole show closes with Michael Brecker. A broad enough range of items for you? Come along; you’re invited to attend.
First we attend to Frankie Valli and the Four Seasons, and their songs celebrating self-pity. Then there are the Incredible String Band’s energy projections wishing you well, and the usual wisdom from Walt Whitman, about soul-body connection, being a hero at work, sympathy or the devil, walking around “pocketless of a dime”, and much more. Guest appearances from Robert Louis Stevenson, Alexander Pope, Ram Dass, and more. You are invited to attend. (Heard first on Cambridge 105.)
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"I saw her today at the reception / a glass of wine in her hand."
We wander around the two ways of treating others: as an It or as a Thou, something to use or something to have a relationship with. On the way we hear from The Old Philosopher (“Is that what’s bothering you, brother?”), Jimmy Cliff, the Rolling Stones, Spitting Image, Genevieve Cleghorn as Asena, Margaret Atwood’s “Rape Fantasies”, Jefferson Airplane, Dylan’s “I and I”, Whitman’s “unspeakable passionate love”, and even Country Joe and the Fish at the very end.
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Horny satyr sitting in dim oak-covert
Artemis on the hunt
“Like a pack of Satyrs, sitting in dim oak-coverts, and hearing only afar off the voices and swift feet of Artemis’s maidens” – intrigued? Attend the latest episode and learn more, and watch Whitman parade himself “hankering, gross, mystical, nude”.
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Lamplight 104: Marches, Jazz Operetta, Lullaby
Mehitabel, toujours gaie
You’re invited to attend the latest Evening under Lamplight. Walt Whitman plays “great marches for conquered and slain persons”. Archy the cockroach and Mehitabel the alley-cat weave out their stories. Dr Seuss puts us to bed with surreal images and rhymes.
"This book is to be read in bed."
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Gobo Fraggle finds the Only Way Home
You are invited to attend this fine episode about Home, picking up the Fraggle theme that “You don’t know where you’ve been until you’re homeward bound”, looking at the way home keeps its hold on us, the way we work out how to get back home again, and the way returning home can, after all, define where we’ve been. Featuring, among others, Robert Frost, Luke, Dylan, Leonard Cohen, and Walt Whitman.
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Lamplight 102
I think you’ll like this episode of Evening under Lamplight, featuring a story by Rumi (“The Lost Camel”) and a discussion with Joseph Campbell (“From Camel to Lion to Child”), with the Kinks lost and found, and Fraggle Rock lost and found, and Elizabeth Bishop, Leonard Cohen, and Walt Whitman. You’re invited to attend.
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Lamplight 101
It gets darker, but the light is coming. We can wait in line hoping that it can’t happen here, “all I have, and all I know is this dream of you, which keeps me living on”, waiting for the clouds to rain down righteousness in the holy hour of candle-lighting, “And these one and all tend inward to me, and I tend outward to them.” All this and more in this Advent/Solstice episode.
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Lamplight 99
You are invited to attend to this episode about Work and Workers, including blacksmiths, chain gangs, drivers, bored office workers, oh, yes, and Fraggles and Doozers. Music from Joe Tex, Josh White, Sam Cooke, Dolly Parton, the Kinks, and Flatt and Scruggs, and two more sections of Walt Whitman’s “Song of Myself”.
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You are invited to our exploration of Wabi-Sabi, a Japanese approach to life and art especially suited to this time of the year. We have music from Japan, America (Otis Redding, Robert Johnson, and more), Britain (inc. a tribute to Jack Bruce), poetry from Ryokan, William Carlos Williams, Rumi, and Stevenson, RLA’s Autumn meditation from Journey through the Seasons, and finally a famous passage from Whitman’s “Song of Myself”: a lonely woman’s fantasy about romping naked in the water with twenty-eight men, of whom “the homeliest of them is beautiful to her”.
